영어로 읽는 고전 _ 올리버 허포드의 여기도 저기도 아닌
"여기도 저기도 아닌"은 올리버 허포드가 20세기 초에 쓴 유머러스한 에세이와 관찰의 모음집입니다. 이 작품은 사회적 규범, 예절, 그리고 고양이와 미국의 여가 개념과 같은 다양한 독특한 주제에 대한 풍자적 논평을 제공합니다. 재치와 기발함을 통해, 허포드는 현대 생활의 괴짜스러움과 약점을 재미있게 조롱합니다.
텍스트의 시작 부분에서, 저자는 유희적이고 불경스러운 어조를 소개하며, 유머와 예리한 관찰을 혼합하는 그의 능력을 보여줍니다. 첫 장들은 이브의 지루함과 뱀과의 가벼운 대화부터 미국의 여가 계층에 대한 성찰까지, 다양한 재미있는 시나리오를 제시하며, 사회적 비평과 기발함을 모두 보여줍니다. 허포드의 글은 매력적으로 흥미롭게, 독자들을 경쾌함이 지배하고 일상 생활의 부조리함이 유머와 통찰력으로 탐구되는 세계로 초대합니다. 전반적으로, "여기도 저기도 아닌"의 시작은 인간 행동의 경박함에 대한 즐거운 탐험의 무대를 마련합니다.
Classics Read in English _ Neither Here Nor There by Oliver Herford
"Neither Here Nor There" by Oliver Herford is a witty collection of essays and observations penned in the early 20th century. This work presents a satirical commentary on societal norms, etiquette, and an array of eccentric topics, including cats and the concept of leisure in American society. Through cleverness and whimsy, Herford playfully mocks the peculiarities and shortcomings of contemporary life.
In the opening sections, the author establishes a playful and irreverent tone, demonstrating his talent for blending humor with perceptive observations. The initial chapters offer various amusing scenarios, ranging from Eve's boredom and her lighthearted interaction with the Serpent to reflections on America's leisure class, showcasing both social critique and fanciful imagination. Herford's writing engages readers with its charm, inviting them into a world where lightheartedness prevails and the absurdities of everyday existence are examined with both humor and insight.
Overall, the beginning of "Neither Here Nor There" creates the foundation for a delightful exploration of the frivolities in human behavior, establishing Herford's distinctive voice as a humorist who could gently skewer the conventions of his time while entertaining readers with his unique perspective on life's curious moments.
Among the contents
THE SECRET
Eve was bored. She confided the fact to the Serpent.
“Tell me something new!” she wailed, and the Serpent?he had never seen a lady cry before?was deeply moved (the Serpent has always been misjudged) and?there being no National Board of Censors?told her everything he knew.
When he had finished, Eve yawned and looked boreder than ever. “Is that all?” she said.
The Dramatic Critic asks the same question on the first night of a new Play?“Will there never be an end to these Dormitory Farces,” he moans, pondering darkly the while how he may transmute its leaden dullness to the precious gold of a scintillating paragraph.
Father Time has nothing to say on the matter. If you ask him to show you a new thing, he shrugs his wings and growls, “You can search me.” Things old and things new are all alike to Father Time.
