The second part focuses on Christ’s Passion, beginning in Pilate’s palace and continuing through Chapels 23 to 41, which depict the trial, scourging, crucifixion, and entombment. These scenes combine religious devotion with striking artistic realism, offering both spiritual impact and visual power. Butler particularly highlights Tabachetti’s emotional sculptural style and also discusses his later work at Crea. The following chapters cover the Piet?, the Entombment, the remaining chapels, and the central church, presenting the Sacro Monte’s overall completion. In conclusion, Butler reaffirms the site’s significance as a fusion of faith and art, supplementing his account with photographs and footnotes to encourage further study.
